The annual mix for Monstercat is out, with 2 and a half hours of songs altogether, this album has a good number of songs. Out of the 40 songs, I will only review 10 of them. They are in no order.
Using the same formula as Heist last year, the trap song has a catchy start with Arabic-sounding buildups and using horns for a good portion of the starting melody. The drop is somewhat good, but it can surely be better.
A big hit in the electronic charts, undoubtedly Alone will be in the Best of 2016. With additional vocals, the song is generally good. A good buildup and melody helps it very well. The drop is also well produced. The vocals are quite good and fits the theme of the song.
Part of the 5 Year Anniversary songs, Muzzy has shown what he has been doing. With one of the best vocals in the album, this is further complimented with a good mix of styles by Muzzy. The drop is somewhat bouncy and the buildup is intense. This is one of the best song produced by Muzzy.
Vicetone – Nevada (Featuring Cozi Zuehlsdorff)
Vicetone has made on of the best songs this year. With simple, slick and catchy synths and melody, with out any vocals, this will already be a well produced song. Ever since her inception last year in The Girl, the songs that she is starred in has beautiful vocals. Undoubtedly, this is one of the hottest songs on Monstercat this year.
The same formula is used twice, and it worked twice. In Words, Feint has produced a song with intense beats and still sound very melodic. Laura’s vocals are unbelievably good this time round, even though it is more intense than last year’s We Won’t Be Alone.
What could be considered a ‘dream collaboration’, when you have two of the most recognised artists to collaborate. With good vocals by Grabbitz and both artists producing the melody, it is a masterpiece by default.
Dirty Audio – Gorilla Glue
With an ominous start and a good drop, this is one of the better trap songs this year. Both parts are well produced and catchy. As compared to the ‘legendary’ trap songs on Monstercat, this is on the better end of the stick.
To put simply this is Rattlesnake VIP. With the ‘pots and pans’ in the drop and reusing some sounds from Rattlesnake, this is a catchy song. A worth successor of Rattlesnake, this song is no doubt Rattlensnake 2.0, but better than a reskin or remake.
An underrated song, but nevertheless a very good one. It is very well made, smooth and melodious. Aaron Richards’ vocals are well done and the lyrics are well thought-out. The well choreographed and touching music video is just the icing on the cake.
More is better in this scenario. With Richard Caddock doing the lyrics and vocals, WRLD and Nitro Fun doing melody and synths. Slips & Slurs and Subtact should be doing the bass and adding some of their signature sounds into the mix. This is very diverse and able to fit the styles of everyone in the track.